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See You at THE SHOW…

May 16th, 2009
by zariat.
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Hey, San Francisco! Come out and play tonight in this beautiful weather!
I’ll be your MC tonight at the RockIt Science 4 Year Anniversary Bash: THE SHOW…

It’s at The Endup, from 10PM til way-too-late (as in daytime - 11AM) tomorrow, so you can just stumble your way to Bay to Breakers in the morning! Get ready!

SATURDAY - SUNDAY
MAY 16th - MAY 17th
10pm Saturday - Noon Sunday
THE END UP (401 6th St.)

THE LATE SHOW: 10pm - 5am
DJ FAME
(Dubsided, Potty Mouth, Rock It Science, NYC)
ERIC SHARP
(Rock It Science, Flavor Group, SF)
NATIVE INTELLIGENCE
(Rock It Science, Sleevin, SF)
BASS CADET
(Rock It Science, Purgatory Cruiser, SF)
MYCHO COCOA
(Rock It Science, The Fringe, SF)

The Early Show (6am - noon)
BEN SEAGREN & DEAN SAMARAS
(Endup, Ruby Skye, SenseSF.com, myspace.com/senserecords, SF)
DJ ANTARES
(Club Passion, Antaresdj.com, myspace.com/antaresdj, Cabo San Lucas, MX)

14 Hours of Non-Stop Music!
‘Late Show’ stamp good ‘til 9am (In & Out’s)

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Posted in: Out and About.
Tagged: events · music · Rock It Science · San Francisco

Everything Twitter Offers, I Need More of

May 15th, 2009
by zariat.
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Everything Twitter Offers, I Need More of:
Basic Ways Musicians Can Make Practical Use of Twitter

Kanye West trashed Twitter on his blog recently, with an all-caps exclamation of his disinterest:

“EVERYTHING THAT TWITTER OFFERS I NEED LESS OF.”

Um, Okay. Well. While this may be true this may be for Kanye West, most musicians and artists could probably use a little bit of what Twitter has to offer - at least for now. Especially considering it’s free and actually very easy to use.

If you don’t have Twitter yet, maybe you should get it.

Twitter Can Help You…

  • Develop a Direct Line of Communication with Your Fans

    Thousands of people are now on Twitter, actively seeking out their favorite artists to follow. They are actually asking you to share your news, from tour dates to new releases, or even just what you’re doing today. Twitter is an opportunity to deliver this information fast and from the source.

  • Build Traffic to Your Website

    A Twitter profile page doesn’t leave a lot of room for clutter - you get to list a link to your homepage and a very brief bio. When new people click on your profile, one of the first things they see is that link, and it’s the obvious next place to click to find out more about you.

  • Keep Current on Industry News

    Twitter is filled with useful information. By following your peers in the industry, you can keep track of new releases, upcoming shows and important announcements. Technical bloggers also regularly post links to online tutorials, new equipment reviews, and other professional tips.

None of this sound useful…?
There’s still one good reason why every artist should still register a Twitter account:

Registering Keeps Your Identity Safe from Namesquatters

If you don’t get your name now, somebody else will Twitter has experienced massive growth this year, and before long, your name might get grabbed by somebody else (See: Kanye West). Even if you don’t think you have time for Twitter now, you may be able to later pay a publicity agent to tweet for you if you change your mind.

The Basic Setup

  • Choose the Right Name

    Make it short and sweet. We only get 140 characters per post, so if people want to mention your name, they don’t want it to take up 37 of them. Make it as close to you can as your professional name, but without any extras. Try an acronym if your name has multiple words. If your name has alrady been taken, try adding an underscore _ at the end, or a number. Or both. If your name is long or difficult to spell, consider a nickname that people can easily remember.
    Example: Native Intelligence = nativeintel

  • Get Listed in the Directories

    WeFollow.com and other online directories let you list your profile name with a few relevant tags, so other people can find and follow you. #Music might be obvious, but also pick something more specific in an area where you will stand out.

Making New Connections

  • Find People to Follow

    After registering in the directories, go back and search through the categories that interest you to find new people to follow. Start with media outlets, blogs, and industry publications. Following them will fill your home feed with useful new information that you can Retweet to the people who follow you.

  • Use the RT : Retweet!

    Hot topics on Twitter spread quickly with the feature known as Retweet. When copying someone else’s post, add RT @TheirName at the beginning or end. Twitter automatically converts the @Name into a link to that person’s profile. This helps your followers identify like-minded new people to follow, such as your friends! If you post interesting info or links, you can begin to expand your audience exponentially as others retweet your messages.

  • Remember - You Have an Audience

    When posting to Twitter, especially if you become interested enough to add it to your phone, there is always the danger of becoming a little too candid with a public audience. Remember to consider that anyone out there could be following you, from your mom to those guys over at the record label. Be yourself, but be reasonable. Don’t say anything you wouldn’t say onstage or at a party full of strangers. That said, it’s still important to be yourself. People can tell when you’re faking it.

Have Fun with It!

Twitter can be a way to start connecting with people all over the world, building your fanbase and providing unlimited networking opportunities. You can express yourself and keep up with your community as much or as little as you like. You might find yourself discovering hot events happening at the last second, fun people to meet up with, or other useful ways to enhance your ‘real life’ too.

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Posted in: Technically Speaking, Tips & Tricks.
Tagged: music · publicity · social networks · tech · Twitter

The Fine Line Between ‘No Offense’ and Legal Action

May 14th, 2009
by zariat.
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Anybody who has ever grabbed an image, video, or even a phrase from the internet and reused it in their own work (aka remixing) is at risk of entering the dangerous world of copyright infringement dispute. The boundaries of copyright law are as hotly contested as the marriage equality debate in the media, and the two issues have now collided in recent news.

To summarize the scandal, Miss California (aka Carrie Prejean) announced to America her opinion about “opposite marriage” and Perez Hilton (aka Mario Lavandeira) called her “a dumb bitch” in his blog the next morning. Capitalizing on the controversy, the National Organization for Marriage (NOM) launched an ad campaign using clips of both of these inflammatory statements in an attempt to advance their political cause. Lavandeira responded first, followed by The Miss Universe Organization, with cease and desist letters to NOM in objection to the ad’s use of the footage. Lavandeira had the ad removed from YouTube by submitting a copyright violation claim.

Is That Legal?

“NOM’s use of Hilton’s video clip was clearly fair and non-infringing — it is brief, transformative, critical, and does not pose a competitive threat to Hilton’s market. As such, Hilton’s takedown notice was, like takedown notices from Universal Music, Warner Music, Uri Geller and Michael Savage before him, a baseless attack on free speech,” states EFF blogger Tim Jones.

Copyright attorney Ben Sheffner notes, “If people are less likely to support Hilton and his positions after watching the National Organization for Marriage ad, that’s too bad, the law does not recognize that as a sort of harm that copyright is meant to protect.“

NOM’s lawyer appealed their case to YouTube, who restored the video immediately. Ironically, NOM has no problems sending out its own dubious DMCA takedown notices.

What If That Was Your Political Commercial?

Some digital media creators are confident enough about the law to tangle with DMCA takedown notices, but the threat of litigation can sometimes be enough to scare video creators into simply removing their work. This allows large corporations and their legal teams to make troublesome direct assaults on free speech and innovation while courts are still defining the contentious boundaries of fair use.

The Doctrine of Fair Use

For creators of online media that reference existing works, an examination of the doctrine of ‘fair use’ has become vital. The boundaries of artistic freedom and ownership can easily become blurred when sourcing materials from the internet, where copyrighted media is readily available in easily duplicated formats.

Four points are identified by sections 107 through 118 of the Copyright Act (title 17, U. S. Code) as factors to be considered in whether or not a use is fair. These legal guidelines, however, can be frustratingly difficult for the average person to understand.

“If we expect the general public to abide by some kind of copyright system, it had better be one that’s simpler and more streamlined than the current system, which has been described as incomprehensible even by its most renowned scholars,” warns Cory Doctorow.

So Can You Put That in English, Please?

Corynne McSherry, a Staff Attorney for the Electronic Frontier Foundation (EFF) who specializes in intellectual property and contract issues, addressed the issue of fair use to attendees of the EFF Bootcamp on May 11:

“Fair use is decided by courts on a case-by-case basis and can sometimes be hard to predict. That said, there are a number of factors that may help you identify likely fair uses,” states McSherry, who has created a Fair Use Checklist (distributed at the event) to help simplify the matter.

Commonly accepted fair uses include parody, political commentary, news reporting, critical review and educational use. McSherry illustrated a “slam dunk” case of fair use with Dust Films ‘Literal Video’ interpretation of Billy Idol’s White Wedding:

This video clearly qualifies as fair use for multiple reasons:

  • The creator has clearly added considerable contributions to the original work, in the form of writing and performing new lyrics to the song.
  • The new lyrics are used to provide humorous commentary on the original work.
  • The new work is unlikely to be considered an equivalent or substitute for a consumer seeking to license the original work. The new work would therefore cause a negligible impact, if any, on the market for the original work.

While each of these elements alone may not be sufficient to determine fair use, the combination of points presents the case clearly as an artistic parody. Artistic parody has been shown to be protected in an number of cases involving high-profile entertainers and publications, from Saturday Night Live (Elsmere Music, Inc. v. National Broadcasting Co., 482 F. Supp. 741 (S.D. N.Y.), aff’d 632 F.2d 252 (2d Cir. 1980).) to Vanity Fair (Leibovitz v. Paramount Pictures Corp., 137 F.3d 109 (2d Cir. N.Y. 1998).).

Definitely Not Fair Use:
File Sharing, Cutting and Splicing, and Outright Copying

“The fact that now individuals with relative ease can layer three or four songs, copy their favorite scenes from their favorite television shows, or take three or four movies and splice together their favorite action scenes and post them online does NOT mean that these uses are fair. Although some commentators have argued that the “non-commercial” nature of this type of use makes these uses fair, that is not the test under the Copyright Act. There needs to be something more — something that truly injects some degree of original contribution from the maker other than just the assembly of unchanged copies of different copyrighted works,” observes Rick Cotton, the general counsel of NBC.

A Contentious Point : My Video, Your Audio

Suppose the neighborhood skateboarder kids decide to make a video of their adventures, using a song from a popular rock band as the soundtrack. They upload the video to YouTube. Is this fair use?

YouTube’s Copyright Tips warns against it: “Be sure that all components of your video are your original creation — even the audio portion. For example, if you use an audio track of a sound recording owned by a record label without that record label’s permission, your video may be infringing the copyrights of others, and may be subject to removal.”

Fred von Lohmann, Senior Staff Attorney at the EFF, seems to disagree: “I think that adding a soundtrack to your home skateboarding movie is a fair use. If copyright owners feel differently, they can send a formal DMCA takedown notice, and with any luck, we’ll see each other in court.”

As of this time, it appears that no cases of this precise nature have been litigated. In the meantime, the EFF has created a set of Fair Use Principles for User Generated Video Content, supported by notable institutions such as Berkman Center for Internet and Society at Harvard Law School and ACLU of Northern California.

The Decisions So Far…

Stanford University provides a list of fair use cases, summarized and categorized by media type, which can be useful in gaining a broader understanding of the existing legal precedents.

How Can You Be Sure It’s Fair Use?

“Today almost all major nations follow the Berne copyright convention. For example, in the USA, almost everything created privately and originally after April 1, 1989 is copyrighted and protected whether it has a notice or not. The default you should assume for other people’s works is that they are copyrighted and may not be copied unless you know otherwise,” explains Brad Templeton.

The most reliable way to ensure fair use of copyrighted material is to simply obtain permission. When permission can not be obtained, artists must consider the doctrine of fair use and consult an attorney when the situation is unclear.

For more information:

  • The EFF Fair Use FAQ
  • The Stanford University Library website - Copyright and Fair Use Overview
  • 10 Myths About Copyright Explained

* NOTE: I am not a lawyer! Always seek the counsel of an attorney for legal matters.

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Posted in: Technically Speaking, VideoMania!.
Tagged: EFF · fair use · free speech · law · marriage equality · tech

Spock Is a Total Babe.

May 12th, 2009
by zariat.
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Last night i made it out to see the new Star Trek movie with a posse of friends, acquaintances, and friends of friends in the IMAX theater at the Metreon in SF. We were a group of about 20, and thanks to Whit arriving an hour early to claim a spot in line, we had VIP primo seating in the very center of the theater.

So - in case you haven’t seen it yet - i won’t give away any plot details. Suffice it to say the dialogue was extremely witty, the special effects were everything i hoped for, and i had a fantastic time. The characters were endearing… my personal favorite being the new Spock. I had a total geek-crush on him for most of the movie, thanks to his makeover as a hot young head-of-the-class back in Starfleet Academy. I heard Kirk was supposed to be the frontrunner for hot new star, but his character was most memorable for the childhood scenes. No spoilers, but let’s just say he has an incredible personal soundtrack moment.

My section of our three-row-deep seating was the self-titled MST3K section… meaning we felt the urge to comment mercilessly throughout the film. Dustin and Matt kept me in stitches from the opening scene to the closing credits. Sitting with us was my new friend Lorna Li, who I met online through her blog posts and Twitter. I hope she was amused by our bad jokes… Or at least not too annoyed? I think Eric might also have had a bit much of our witty banter… heh.

At any rate, this movie was an epic win for geeks everywhere. The more you know about the original, the more inside jokes will make sense. However, i felt that any moviegoer could get into the storyline, classic sci-fi gadgets, and abundant explosions. If you’re into that sort of thing.

I consciously avoided all the trailers for the film before seeing it, and i’m glad i did. However, if you’re up for a total sequence of spoilers, this ought to do it:

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Posted in: Epic Wins, Out and About, VideoMania!.
Tagged: adventure posse · movies · reviews · Star Trek

Happy Mutha’s Day

May 10th, 2009
by zariat.
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Saturday Night Live - Digital Short: Motherlover - Video - NBC.com

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Posted in: VideoMania!.

Greetings, Earthlings.

May 10th, 2009
by zariat.
No comments yet

so i suppose i am activating the blog.

perhaps i am tired of fitting all my thoughts into bursts of 140 characters or less? or perhaps i am envious of a certain boy and the audience he entertains with his crazy rants articulate and witty banter…?

regardless… i am ready to engage.

i must warn you, i am terribly fond of lowercase letters and ‘creative’ punctuation.

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Posted in: Uncategorized.

Entheon Village at Burning Man 2008

Nov 13th, 2008
by zariat.
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A Gourmet Oasis in the Nevada Desert

Most Americans, when cooking at home, take for granted an indefinite supply of hot and cold running water and heat from the burner. In an energy outage or natural disaster, the severance of resources leaves the average person unable to prepare meals or even maintain basic hygiene. Coping with extreme situations such as these requires planning, resourcefulness, and willingness to adapt.

At the annual Burning Man festival, in Black Rock City, Nevada, participants voluntarily expose themselves to harsh climate conditions without the benefits of of institutionally-provided facilities (excepting ice and portable toilets). In order to survive for a week in the open desert, people must create their own shelters, showers, kitchens, and communal spaces. Structures must be resistant to high winds and fine dust. Facilities must be self-powered and use water efficiently. In order to meet these extraordinary challenges, groups of people often pool resources and labor into what are known as Theme Camps, such as the Chicago-based Entheon VIllage.

In 2006, Entheon Village was a new destination point at Burning Man, known for hosting high quality workshops and presentations. According to their website (www.EntheonVillage.com), Entheon Village was founded “as a collaboration between a group of Chicago-area burners formerly known as BOP Camp, MAPS, CoSM, the IAMU and many visionary artists, swiss meditators and folks who joined from 5 continents to help co-create the experience.” Over the last 3 years, the Entheon community has shown steady annual growth, and it has evolved into what may now be called a groundbreaking experiment in short-term self-sufficiency.

A Groundbreaking Experiment in Short-Term Self-Sufficiency

Approximately 500 people registered for Entheon Village at Burning Man in 2008. Villagers paid $333 as a membership fee, in addition to the cost of their Burning Man ticket, as a contribution for food, facilities, and services. All members were also required to volunteer for at least two work shifts, including one in the kitchen.

According to the ambitious vision of the group’s architects, Entheon Village intended to provide 2 meals a day with snacks in between, showers, toilet facilities, and much more for its members during the week-long event. All of the facilities were powered by biodiesel and housed in reusable mobile shipping containers. Greywater, compost, recycling, and the inescapable trash duly sorted and appropriately disposed. Construction and operational labor were to be provided by the community volunteers.

While some projects were fulfilled only to various degrees or on a fluctuating schedule, much to the chagrin of those who expected a seamless full-service experience, the Entheon Village community kitchen was regarded a consistent success. Villagers enjoyed three meals a day of primarily organic vegan cuisine. A separate opt-in kitchen provided meat, fish, dairy and eggs for a small minority of campers. A spacious shaded dining area served as a community meeting point, furnished with scavenged wooden church pews, sofas, and dust-reducing carpets.

Creating a Gourmet Oasis in the Nevada Desert

While organic vegan and raw cuisine may not be standard dining fare for everyone, especially at Burning Man, the chefs of Entheon Village prepared elaborate dishes that could grace the tables of fine urban restaurants. Oatmeal and granola were served with sliced fruit and fresh vegetable juices for breakfast. Hearty channa masala or tamales with rice-stuffed red peppers might be for dinner. Eclectic raw menu selections included creamy sprouted hummus, tangy sesame-kale salad, mountains of guacamole, and gooey desserts with cacao nibs and goji berries.

Eating raw foods has a multitude of benefits at any time, but in community kitchens the positive effects are even further multiplied. On an individual level, vitamins and minerals are most abundant and readily available in uncooked fruits and vegetables, which means that serving raw foods helps maximize the nutritional value of each meal. By purchasing a majority of food supplies as fresh fruits and vegetables in bulk, a group can save money and reduce waste (when compared to purchasing preserved foods), and also support local organic farmers. The exclusion of meat and dairy products eliminates a potentially heavy drain on refrigeration resources, as well as a possible source of harmful bacteria. Eating raw foods also means, of course, no cooking - which can provide a massive reduction in energy use.

Entheon Village cooked food and utilized hot water, but not without considering the most ecological and efficient methods. All the serving dishes were either re-usable or compostable. The kitchen, outfitted with an impressive array of commercial restaurant supplies, was housed in a 48-foot steel shipping container with two pop-out sides.

The kitchen arrived in Black Rock City well over a week before Burning Man’s official opening to begin feeding the Entheon setup crew. While nourishing the growing Village, the kitchen also simultaneously provided the headquarters for Feed the Artists (FtA), a grassroots project created to gift meals to artists who come to the event early to set up large art installations. During the main week of Burning Man, informal reports indicated that the kitchen was serving well over 700 portions at many meals. The kitchen also remained intact and operational for most of the breakdown process, accumulating over 3 weeks in total as a self-sufficient gourmet restaurant in the desert.

Entheon Village, AKA ‘Uber-Namaste Camp’

At Entheon Village, there were biodiesel-powered air conditioners and private hot showers with a hidden greywater system. People were sweetening their coffee with coconut milk and agave nectar. When walking around the rest of the playa, where many people were happily taking showers out of black plastic bags and eating canned goods, the Entheon atmosphere seemed a bit surreal. A rumor was circulating that some people had nicknamed it ‘Uber-Namaste Camp’ - which is only funny, of course, if you know what ‘namaste’ means - basically incriminating you as the sort of person who might like agave nectar in your coffee too.

Namaste: a salutation commonly used in yoga and meditation practices, loosely translated from Sanskrit as ‘I am your humble servant’ or ‘I respect that divinity within you that is also within me’ (Source: Wikipedia.org)

The irony of the joke is that Entheon Village is actually an ‘Uber-Namaste Camp’ of sorts. The intention of creating a self-sufficient community space that exists purposefully to serve the needs of its inhabitants is a macroscopic version of meeting the needs of one. In its idealized form, each participant realizes a crucial role in the community, and the actions of the group sustain or even exceed the needs of the individual. The design of Entheon Village appears to be continually evolving in an effort to realize these goals, pursuing visionary projects with lofty community-based motives.
www.EntheonVillage.com

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Posted in: Eco-Logical, Out and About.
Tagged: Burning Man · Entheon · events · survival planning · sustainability

What Does It Mean to ‘Green’ an Event?

Apr 16th, 2007
by zariat.
No comments yet

‘Greening’ is a term that refers to the process of making an event more ecologically responsible. Every event has unique challenges and opportunities, which makes it often difficult to discern the level of effort and fulfillment necessary to really be Green.

Some visible signs of a Green Event include:

  • recycling and compost stations for waste
  • active and well-funded areas for creative community education
  • requiring organic food and re-usable or biodegradable dishes in vending areas

Less visible (but equally important) signs of a Green Event include:

  • use of eco-friendly construction materials
  • alternative energy sources
  • post-event impact reduction

An event that is making a serious effort to be ‘Green’ must undertake a holistic approach to the planning process. An examination of the current Green Event standards and available options is necessary, considered within the context of the vision and resources of the particular event.

Before the Event…

Responsible Use of Space
Assessment of the venue for ecological strengths and weaknesses is a vital step in the event planning process. Indoor events may face challenges regarding water and energy use, while the positive aspect of a permanent physical location would be availability for long-term community engagement. Outdoor events are faced with infrastructure and post-event impact concerns, while alternately able to educate larger audiences with dramatic large-scale presentations.

Eco-Logical Procurement
From the office to the event, opportunities abound for ecological and fiscally responsible procurement choices. New standards for construction materials in the home-building sector have expanded the options for products from lighting to lumber. Many companies are also willing to enter into sponsorship agreements to expand their products to new audiences, creating affordable or even free opportunities to implement new eco-technologies.

Alternative Energy
Efficient use of energy is one way an event can be not just ecologically but fiscally responsible in ways that are immediately evident. From rechargable batteries to biodiesel generators, a wide range of opportunities is available fro events of all sizes. For those whom fossil fuel use is unavoidable, renewable energy credits are also available to help offset carbon emissions.

Carpooling and Transportation
Transportation to and from an event for a large number of guests can create a heavy impact on local air quality. Carpool and RideShare Programs, Biodiesel Bus shuttles, and special extensions of public transportation hours and routes have all been successfully implemented to reduce car traffic to events. Carbon Emissions Offsetting programs allow event producers to calculate the carbon emissions impact of their event and make a financial contribution towards alternative energy sources or tree planting initiatives in an amount specified as equitable to the amount of emissions produced.

During the Event…

Volunteer and Mentoring Opportunities
Event producers can often supplement their team with local volunteers, who excel at participating in activities that demonstrate a positive long-term impact on their community. Green Events are an opportunity to instill the next generation of event producers with the importance of Eco-Logical Best Practices as active volunteers. Mentorship from local activists and industry professionals can build bridges between experience and enthusiasm, unleashing the unlimited potential of the human resource. Workshops and hands-on participation in areas from recycling to MycoRemediation involve participants of broad interests and abilities.

Creative Engagement
Entertainment and performance can be green too! Events of all kinds can incorporate entertainment with an environmental message, such as skits and puppet show between music acts, biodiesel car exhibitions, or art installations made from scavenged and recycled materials. Inspiring an audience through art, theatre, music, and creative engagement has an effect that is unquantifiable, yet undeniable.

Green Vending
Vendors and their products can convey a strong message about the intention and integrity of an event. Organic foods and caterers are now widely available, for both the health of the guests and the support of local organic agriculture. Biodegradable dishes and cutlery can be composted, or re-usable dishes can be provided for a small deposit, drastically reducing the volume of trash. Successful dish re-use programs have sourced dishes and cutlery from thrift stores, and implemented a common dishwashing station to minimize water waste. Merchandise vendors can also be selected for commitments to Fair Trade, organics, local and artisan production, recycled or re-used materials, and conscious labor practices.

After the Event…

Waste Management
‘Waste’ is really another word for ‘Surplus’ - meaning that everything we produce must eventually find a use. Recycling and Composting are common ways to divert Event Surplus before it is committed to a landfill. composting toilets and unbleached recycled toilet paper are ways to reduce the sanitation impact of a large group. Food Vendors and Caterers can use biodegradable or re-usable dishes.

Continuing Community Outreach and Education
Active engagement of local activists and organizations is the foundation of a long-term relationship for the benefit of all. While an event may last only a finite amount of time, communities need enduring solutions that can only be provided by local activists with an ongoing commitment. By supporting these organizations and individuals, events are able to provide outlets for their audience to follow up on the initiatives introduced to them at the event.

Create an Eco-Logical Plan of Action.

An event may choose to undertake some or all of the above initiatives in the Greening process, as each gathering is a unique combination of vision and community resources. With real examples set by event producers, creative audience engagement, and provision of outlets for long-term local involvement, people will come to self-identify the need for eco-logical practices in their daily lives: the ultimate goal of the ‘Greening’ process.

This article is also published at www.EcoGatherings.com

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Posted in: Eco-Logical, event production.
Tagged: alternative energy · community · compost · EcoGatherings · event production · events · green events · recycling · sustainability

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